Lao zheng, whose real name is zheng huajie, male, born in 1969 in zibo, shandong province, is a member of china artists association, director of beijing chinese painters association, deputy secretary-general of painting and calligraphy institute of xu beihong painting institute, vice president of oil painting institute of china contemporary art institute, dean of zhuhai dazheng painting academy. Zheng huajie likes chinese traditional beauty, the elegance, euphemism and tranquility of chinese classical women, chinese screens and maid fans of various shapes, between antique furniture, screens and windows, those quiet and shy ancient women were graceful and charming. The picture adopts some forms of composition, and pays attention to the use of big color blocks. The color is thick, gorgeous and beautiful. The picture highlights the euphemism and implicit characteristics of ancient women. The painting language tries to integrate the thick color of oil painting, and also absorbs some ideas of composition and modern consciousness, pursuing rich and thick color, full composition and exquisite layout. In recent years, there has been a little deep thinking on the relationship between chinese traditional culture and modern civilization. Traditional culture and modern civilization are inextricably linked. There are both inheritance and integration, as well as exclusion and collision between them, the relationship between the two, different fields and different people have different views. In recent years, zheng huajie has also focused on creating some works of "ancient rhyme and modern style series", aiming at arousing people's thinking about the relationship between the two through pictures, and at the same time showing two different beauties.
Lao zheng, whose real name is zheng huajie, male, born in 1969 in zibo, shandong province, is a member of china artists association, director of beijing chinese painters association, deputy secretary-general of painting and calligraphy institute of xu beihong painting institute, vice president of oil painting institute of china contemporary art institute, dean of zhuhai dazheng painting academy. Zheng huajie likes chinese traditional beauty, the elegance, euphemism and tranquility of chinese classical women, chinese screens and maid fans of various shapes, between antique furniture, screens and windows, those quiet and shy ancient women were graceful and charming. The picture adopts some forms of composition, and pays attention to the use of big color blocks. The color is thick, gorgeous and beautiful. The picture highlights the euphemism and implicit characteristics of ancient women. The painting language tries to integrate the thick color of oil painting, and also absorbs some ideas of composition and modern consciousness, pursuing rich and thick color, full composition and exquisite layout. In recent years, there has been a little deep thinking on the relationship between chinese traditional culture and modern civilization. Traditional culture and modern civilization are inextricably linked. There are both inheritance and integration, as well as exclusion and collision between them, the relationship between the two, different fields and different people have different views. In recent years, zheng huajie has also focused on creating some works of "ancient rhyme and modern style series", aiming at arousing people's thinking about the relationship between the two through pictures, and at the same time showing two different beauties.