Zhang jianliang, male, born in 1981, is a member of china artists association, a specially invited painter of the palace museum, and a specially appointed lecturer of traditional chinese painting of citic prudential. Special lecturer of huaxia bank, specially invited painter of michelin company, painter of 2004 wang wenfang studio of beijing academy of painting, executive tutor of national exhibition creation class, director of canadian rocky mountain beauty association, director of rocky mountain beauty association office in beijing, special painter, brova valaire manor gallery, france. This exhibition of beijing folk works is a part of ancient buildings in ming and qing dynasties. This series of works are intended to advocate the public to protect ancient buildings and popularize them to everyone through the form of painting language. In the aspect of design composition, follow the principles of ink beauty, composition beauty, artistic conception beauty and so on, and add modern composition language. In the process of drawing, it breaks the routine, either with lines as the main part or with colors as the main part, and makes it more eye-catching and meaningful through the horizontal, oblique and dense lines. Art originates from life, which is higher than life and metaphysical. Zhang jianliang uses the characteristic of thick, light, dry, wet and focus of chinese painting to enrich the picture and make the expression more dexterous. The series of works of the loess plateau is a part of the western works. Because of the special regionality, the ancients seldom involved here. They played freely on the basis of theoretical principles, rubbed repeatedly, and drew out the texture of the soil, the texture direction should be as delicate as possible. Every year, we have to go deep in the loess plateau to learn about the local people's life. In this process, we can learn from experience and keep studying and making progress, so as to go up one flight of stairs!
Zhang jianliang, male, born in 1981, is a member of china artists association, a specially invited painter of the palace museum, and a specially appointed lecturer of traditional chinese painting of citic prudential. Special lecturer of huaxia bank, specially invited painter of michelin company, painter of 2004 wang wenfang studio of beijing academy of painting, executive tutor of national exhibition creation class, director of canadian rocky mountain beauty association, director of rocky mountain beauty association office in beijing, special painter, brova valaire manor gallery, france. This exhibition of beijing folk works is a part of ancient buildings in ming and qing dynasties. This series of works are intended to advocate the public to protect ancient buildings and popularize them to everyone through the form of painting language. In the aspect of design composition, follow the principles of ink beauty, composition beauty, artistic conception beauty and so on, and add modern composition language. In the process of drawing, it breaks the routine, either with lines as the main part or with colors as the main part, and makes it more eye-catching and meaningful through the horizontal, oblique and dense lines. Art originates from life, which is higher than life and metaphysical. Zhang jianliang uses the characteristic of thick, light, dry, wet and focus of chinese painting to enrich the picture and make the expression more dexterous. The series of works of the loess plateau is a part of the western works. Because of the special regionality, the ancients seldom involved here. They played freely on the basis of theoretical principles, rubbed repeatedly, and drew out the texture of the soil, the texture direction should be as delicate as possible. Every year, we have to go deep in the loess plateau to learn about the local people's life. In this process, we can learn from experience and keep studying and making progress, so as to go up one flight of stairs!