Tian zhuren, male, originally from nangong, hebei province, was born in hui county, gansu province. He successively studied in the fine arts department of tianshui normal university and the subject class of chinese figure painting of capital normal university. He is a member of the chinese artists association, a special painter of the national rhyme wenhua painting and calligraphy institute of the ministry of culture, a standing director of the chinese artists association, a special researcher of the painting and calligraphy research center of jiangsu federation of literary and art circles, and a full-time painter of the art museum (painting and calligraphy institute) of huai 'an city, jiangsu province, deputy director of art committee of beijing jinghua art museum. "Fine arts", "chinese painter", "grand view of fine arts", "chinese painting and calligraphy", "fine arts newspaper", "literature and art newspaper", "oriental fine arts", "chinese painting and calligraphy" and other national professional academic newspapers have published columns to introduce tian zhu benevolent works and artistic style, his works have been selected into professional exhibitions sponsored by the ministry of culture, the chinese federation of literature and art and the chinese association of fine arts for more than 30 times and won many awards. Tian zhuren once won the outstanding talent award of contemporary chinese painting of the ministry of personnel. Chinese enterprise reports, "double hundred leading artists" of china art wealth; "flying sky award" of painting and calligraphy of provincial government and municipal government, "golden camel award" of art of provincial federation of literature and art ". He has published albums such as "selected traditional chinese paintings of tian zhuren" and "chinese contemporary painter tian zhuren. The theme and content of tian zhuren's works are mainly modern characters and widely involved. Such as western ethnic characters, tibetan nationality in qinghai-tibet plateau, dai nationality in xishuangbanna, jinuo nationality, hani nationality and so on, as well as the local customs and customs of hui 'an in northern shaanxi and eastern fujian, there are also revolutionary historical themes and ancient classical and poetic ancient costume characters.
Tian zhuren's freehand figures in ink and wash have a strong ability to express in the form of pen and ink. This kind of shape is not simply understood as the accuracy of copying or mechanically depicting the sculptured objects, it is integrated with the painter's experience of traditional art and life and the long-term accumulation of comprehensive aesthetic experience such as philosophy, literature and poetry. Only with rich literacy can we create works with a strong sense of responsibility for the society and human beings to inherit truth, goodness and beauty. Figure painting is difficult and requires painters to have strong modeling performance ability. However, the "incisive and uncontrollable" ink of freehand brushwork is a "barrier" that many painters cannot surpass ". Looking at tian zhuren's works, he drew lessons from the characteristics and factors of western painting and formed his own realistic and delicate painting style through long-term exploration and research. Especially in the face processing, he especially saw his absorption of the light, light and shade, structure and other characteristics of western oil paintings, making the figures in the picture real and vivid. Generally speaking, his works belong to the kind of inheriting tradition, such as the composition of lines and ink on the painted surface. The expression of lines focuses on "writing" rather than "drawing". He attaches great importance to the accomplishment in one go, has vivid charm, has primary and secondary characteristics, rhythmic changes such as straight, slow, thick and thin, dry and wet. Tian zhuren is a painter who is good at exploration and has his own expression language in his works. The performance of water, rain and snow and frost in the works forms a unique style and appearance. From the works, we can also feel that the objects described by painter tian zhuren are all people and things closely related to real life, such as the images of the elderly, youth, women, children and ethnic minorities, etc, everyone feels like a real person in our life. Life is always the source of creation, and the creation of foreign teachers will eventually lead to the source of heart. Because the author tian zhouren attaches great importance to in-depth life and accumulation of life materials, the characters he expresses avoid "a thousand people, the concept of" the same pattern "is the form of behind closed doors.