Zhao jinlong, from zibo, shandong. He is a member of china artists association, a painter of china art creation institute, a studio tutor of the school of continuing education of renmin university of china, and honorary chairman of zibo art association. His works have participated in national-level exhibitions, nomination exhibitions and academic exhibitions held by the chinese federation of literature and art and the chinese association of fine arts for many times and have won many awards and been collected.
The way zhao jinlong brought contemporary cultural reality into the magnetic field of ancient culture also depended on the ink media he used. On the one hand, he made his pen and ink carry the cultural qualities of the traditional literati paintings which are calm, introverted, ancient and free and easy, and reflected the foundation of the ink of the pen; On the other hand, he generalized the ink of the pen and ink, to explore the pen for calligraphy in a broad sense, especially the material beauty formed when water and rice paper touch and permeate, water is more than ink and more than pen. It is the generalization of pen and ink that solves the problem of spatial processing of the interlaced time and space of his pictures and rendering of the ancient cultural atmosphere.
Zhao jinlong, from zibo, shandong. He is a member of china artists association, a painter of china art creation institute, a studio tutor of the school of continuing education of renmin university of china, and honorary chairman of zibo art association. His works have participated in national-level exhibitions, nomination exhibitions and academic exhibitions held by the chinese federation of literature and art and the chinese association of fine arts for many times and have won many awards and been collected.
The way zhao jinlong brought contemporary cultural reality into the magnetic field of ancient culture also depended on the ink media he used. On the one hand, he made his pen and ink carry the cultural qualities of the traditional literati paintings which are calm, introverted, ancient and free and easy, and reflected the foundation of the ink of the pen; On the other hand, he generalized the ink of the pen and ink, to explore the pen for calligraphy in a broad sense, especially the material beauty formed when water and rice paper touch and permeate, water is more than ink and more than pen. It is the generalization of pen and ink that solves the problem of spatial processing of the interlaced time and space of his pictures and rendering of the ancient cultural atmosphere.