Yu ming, born in the old city of hebei province in 1984, studied in liang zhanyan studio of china national academy of painting from 2012 to 2014. In 2017, his personal project was approved by the national art fund. He is a member of china artists association and a member of hebei artists association, the works are collected by chinese national academy of painting, wu guanzhong art museum and other institutions and individuals.
In the painting world of ming dynasty, it was entirely decided by his own interests, and he always maintained his unique literati style. The pictures in his works were simple and interesting, and filled with leisure and humor.
Yu ming, who was born in the old city of hebei province, is a low-key person. His speech is concise and comprehensive, but he is real.
Although he was not born in a family of painting and calligraphy, he was also deeply influenced by the atmosphere of family art. Yu ming has been interested in calligraphy since he was a teenager. A book named yan qinli monument opened his fate with pen, ink, paper and inkstone, and influenced his later painting creation.
Why do you insist on choosing freehand brushwork figure paintings with high difficulty? Yu ming said: "compared with other subjects, I have a deeper interest in freehand brushwork figure painting. Technically speaking, it is also out of my preference and fascination for the connotation of figure painting modeling, at the same time, freehand brushwork figure painting can also stimulate my desire to express."
when he first came into contact with freehand figure painting, yu ming, like many art practitioners, started from copying the works of famous artists. Yu ming at this time was like a piece of white paper. Through constant copying and learning, he gradually became familiar with the formal language of freehand figures. But gradually, yu ming was no longer satisfied with the copying state of "depending on others", and his self-consciousness of creation was rising day by day.